NDSA:Digital video exploration: Difference between revisions

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* Are you better equipped and resourced for video preservation, for video access, or are they resourced and equipped equally?
* Are you better equipped and resourced for video preservation, for video access, or are they resourced and equipped equally?
* How far back in chain of creation do you go with regular depositors of BDV?
* How far back in chain of creation do you go with regular depositors of BDV?
* what practices are you using with ingest processing for BDV - normalize, keep original files, etc.
* what types of auxiliary files keep along with original files
* are you trying to model higher level objects (1 program over 4 tapes, for example)

Revision as of 12:19, 10 March 2014

Please feel free to list questions for the initial digital video survey below. For example:

  • what are the technical specifications (formats, file characteristics, etc) you use? Especially for born digital video.
  • Do you have guidelines for preferred/accepted digital video formats? Would you be able to share them?
  • Are you doing video reformatting in-house, through out-sourcing or a combination? If you are outsourcing some of this how did you decide which to outsource?
  • Do you contract for consultation services to support your video efforts?
  • Are you storing any technical metadata for video and if so, in what form/schema?
  • What are your biggest challenges related to video?
  • Are you delivering the video you preserve, and if so using what tools/platforms/services?
  • Do you index any technical metadata and if so, which fields? (Duke)
  • Do you store your preservation master files in institutionally managed storage, through a commercial service, or both? (Duke)
  • What analog-to-digital interface do you use (i.e., SAMMA, BlackMagic, Kona, AJA)? (Duke)
  • What tools do you use in a preservation workflow?
  • What compression engine do you use to create access derivatives (i.e., Front Porch, Nero MPEG-Streamclip, Apple Compressor)? (Duke--this question may cover some of the same ground as the "Are you delivering ..." question, above.)
  • Do copyright issues influence your preservation priorities? If so, how?
  • How are your video preservation activities funded?
  • Are you better equipped and resourced for video preservation, for video access, or are they resourced and equipped equally?
  • How far back in chain of creation do you go with regular depositors of BDV?
  • what practices are you using with ingest processing for BDV - normalize, keep original files, etc.
  • what types of auxiliary files keep along with original files
  • are you trying to model higher level objects (1 program over 4 tapes, for example)