NDSA:Digital video exploration: Difference between revisions

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Return to the [[NDSA:Standards and Best Practices Working Group#Digital video exploration | Digital video survey distribution list]]
Return to the [[NDSA:Standards and Best Practices Working Group#Digital video exploration | Digital video exploration]]


Please add/edit this list as needed with new/different distribution outlets. Please put your name next to the list name you'll distribute the link to. Put "DONE" in front when you've sent the note. Ex: DONE - NDSA-ALL - Andrea
Please feel free to list questions for the initial digital video survey below. For example:


NDSA-ALL


NDSA-Standards
== Overall challenges ==
* What are your biggest challenges related to video?
* What is the big roadblock for preserving video? Why is it not part of the usual preservation environment?
* Do copyright issues influence your preservation priorities? If so, how?


digipres@ala.org
== High-level Strategy / Resources / Funding ==
* How are your video preservation activities funded?
* Are you better equipped and resourced for video preservation, for video access, or are they resourced and equipped equally?
* How far back in chain of creation do you go with regular depositors of born digital video? Are you able to influence or define deliverables coming into your repository?
* Do you contract for consultation services to support your video efforts?
* Are you doing video reformatting in-house, through out-sourcing or a combination? If you are outsourcing some of this how did you decide which to outsource?
* Do you store your preservation master files in institutionally managed storage, through a commercial service, or both?
* Do you have the expertise you need for video preservation?


archives@forums.archivists.org
== Specifications / Standards / Modeling ==
* What are the technical specifications (formats, file characteristics, etc) you use? Especially for born digital video.
* Do you have guidelines for preferred/accepted digital video formats? Would you be able to share them?
* Are you storing any technical metadata for video and if so, in what form/schema?
* What types of auxiliary/associated materials files do you keep along with original files (e.g. production stills)?
* Are you trying to model higher level objects (1 program over 4 tapes, for example)? If so how?
* What about the raw material that comes in on one disc or drive (for example everything that went in to creating a documentary). What do you keep? How do you make the decision? Do you keep only the final version?
* Do you index any technical metadata and if so, which fields?


Digital Curation google group
== Tools / Technology / Workflow ==
* Are you delivering the video you preserve, and if so using what tools/platforms/services?
* What analog-to-digital interface do you use (i.e., SAMMA, BlackMagic, Kona, AJA)?
* What tools do you use in a preservation workflow?
* What compression engine do you use to create access derivatives (i.e., Front Porch, Nero MPEG-Streamclip, Apple Compressor)?
* What practices are you using with ingest processing for born digital video - normalize, keep original files, etc.?


International Internet Preservation Consortium (IIPC) preservation working group list
== Survey Results ==
 
Question to ask the data:
Association of Moving Image Archivists (AMIA)/AMIA-L@LSV.UKY.EDU
* How many respondents are "haves" vs "have nots"?
 
* Of the haves, what are the top stumbling blocks?
IASA
* Of the have nots, what are the top stumbling blocks?
 
Museum Computer Network (MCN) list: mcn-l@mcn.edu <mcn-l@mcn.edu>
 
Digital Preservation Coalition
 
Preservation Administrators Discussion Group (PADG - ALA PARS)
Digital Library Federation members list (DLF-Announce)

Latest revision as of 14:20, 11 February 2016

Return to the Digital video exploration

Please feel free to list questions for the initial digital video survey below. For example:


Overall challenges

  • What are your biggest challenges related to video?
  • What is the big roadblock for preserving video? Why is it not part of the usual preservation environment?
  • Do copyright issues influence your preservation priorities? If so, how?

High-level Strategy / Resources / Funding

  • How are your video preservation activities funded?
  • Are you better equipped and resourced for video preservation, for video access, or are they resourced and equipped equally?
  • How far back in chain of creation do you go with regular depositors of born digital video? Are you able to influence or define deliverables coming into your repository?
  • Do you contract for consultation services to support your video efforts?
  • Are you doing video reformatting in-house, through out-sourcing or a combination? If you are outsourcing some of this how did you decide which to outsource?
  • Do you store your preservation master files in institutionally managed storage, through a commercial service, or both?
  • Do you have the expertise you need for video preservation?

Specifications / Standards / Modeling

  • What are the technical specifications (formats, file characteristics, etc) you use? Especially for born digital video.
  • Do you have guidelines for preferred/accepted digital video formats? Would you be able to share them?
  • Are you storing any technical metadata for video and if so, in what form/schema?
  • What types of auxiliary/associated materials files do you keep along with original files (e.g. production stills)?
  • Are you trying to model higher level objects (1 program over 4 tapes, for example)? If so how?
  • What about the raw material that comes in on one disc or drive (for example everything that went in to creating a documentary). What do you keep? How do you make the decision? Do you keep only the final version?
  • Do you index any technical metadata and if so, which fields?

Tools / Technology / Workflow

  • Are you delivering the video you preserve, and if so using what tools/platforms/services?
  • What analog-to-digital interface do you use (i.e., SAMMA, BlackMagic, Kona, AJA)?
  • What tools do you use in a preservation workflow?
  • What compression engine do you use to create access derivatives (i.e., Front Porch, Nero MPEG-Streamclip, Apple Compressor)?
  • What practices are you using with ingest processing for born digital video - normalize, keep original files, etc.?

Survey Results

Question to ask the data:

  • How many respondents are "haves" vs "have nots"?
  • Of the haves, what are the top stumbling blocks?
  • Of the have nots, what are the top stumbling blocks?