|(218 intermediate revisions by 16 users not shown)|
This list of resources
has been curated by the Digital Library Federation for the benefit of cultural heritage professionals planning projects involving the digitization of rare and unique materials. Applicants to the ''Digitizing Hidden Special Collections and Archives '' [ http://www.clir.org/ hiddencollections/] program of the ''Council on Library and Information Resources'' [http://www.clir.org/] may find these helpful in planning project proposals.
This list of resources curated by the Digital Library Federation for the benefit of cultural heritage professionals planning projects involving the digitization of rare and unique materials. Applicants to the Digitizing Hidden Special Collections and Archives[://www.clir.org/] of the [http://www.clir.org/ ] may find these helpful in planning project proposals.
Rather than providing comprehensive coverage, this list includes introductory and reference materials that are good places to begin an exploration of issues of broad import to digitizing cultural heritage materials.
Rather than providing comprehensive coverage, this list includes introductory and reference materials that are good places to begin an exploration of issues of broad import to digitizing cultural heritage materials.
== PROJECT PLANNING & MANAGEMENT ==
'''General Resources '''
The '' Federal Agencies Digitization Guidelines Initiative'' (or FADGI) [http://www.digitizationguidelines.gov] is a collaboratively maintained clearinghouse of information related to digitization, from project planning [http://www.digitizationguidelines.gov/guidelines/digitize-planning.html], to digital file formats [http://www.digitizationguidelines.gov/guidelines/File_format_compare.html], to technical specifications [http://www.digitizationguidelines.gov/guidelines/digitize-technical.html]. FADGI was launched in 2007 under the auspices of the National Digital Information Infrastructure and Preservation Program (NDIIPP). Two working groups of professionals working in federal agencies develop FADGI outcomes:
(1) the '' Still Image Working Group'' [http://www.digitizationguidelines.gov/still-image/] produces guidelines for creating digital images of cultural heritage materials; and
(2) the ''Audio-Visual Working Group'' [http://www.digitizationguidelines.gov/audio-visual/] covers the digitization of analog audio and audiovisual recordings as well as the digital reformatting of born-digital audio or audiovisual content.
The ''Association of Research Libraries'' (ARL) [http:// www. arl.org/] developed the ''Principles to Guide Vendor/Publisher Relations in Large-Scale Digitization Projects of Special Collections Materials'' [http:// www. arl.org/ storage/documents/ publications/principles_large_scale_digitization.pdf] in 2010 to help institutions build strong working relationships with commercial partners while creating broad access to their collections.
[http://..org/]the [http://..org//] .
Working with the Digital Library Federation [http://www. diglib. org/ groups/ assessment/] [[Assessment] ] Group, Joyce Chapman at the State Library of North Carolina developed the ''Library Digitization Cost Calculator'' [http:// statelibrarync.org/ plstats/ digitization_calculator.php] using data collected by Duke University, the University of Alabama, and the Triangle Research Libraries Network. The tool can help professionals create rough estimates for still image digitization of archival collections.
[http://www..//] the [http://.org// ], of , the http://.//.
statelibrarync. org/ plstats/ digitization_calculator. php
'''Format- Specific Resources'''
''Best Practices for TEI in Libraries'' [ http://www. tei-c.org/ SIG/ Libraries/ teiinlibraries/] provides a recent (2011) overview of possible approaches to incorporating encoded text into large-scale digitization projects.
[://www..org////] provides a of to . ://www..org//
http://www. tei-c.org/ SIG/Libraries/teiinlibraries/
The ''Guidelines and Resources'' [http://www.loc.gov/ndnp/guidelines/] page on the ''National Digital Newspaper Program'' (NDNP) website [http://www.loc.gov/ndnp/] provides information about best practices for digitizing newspapers and making newspaper content broadly accessible and discoverable. The NDNP is a partnership of the National Endowment for the Humanities (NEH) and the Library of Congress. The NEH operates the National Digital Newspaper funding initiative [http://www.neh.gov/grants/preservation/national-digital-newspaper-program], which offers grants specifically for newspaper digitization.
The '' Center for Research Libraries'' ( CRL) [ http:// www. crl. edu] maintains the ' 'International Coalition on Newspapers'' ( ICON) [http:// icon. crl. edu/ digitization.php] database, which contains issue and holdings data for over 170,000 publications dating from the seventeenth century through the present. The ICON project also includes a directory of digitization efforts around the globe [http:// icon.crl. edu/ digitization.php] .
icon. crl.edu/ digitization.php
() [://..]the '
Rare Books & Manuscripts''
The '' International Federation of Library Associations'' [http://www.ifla.org/] ( IFLA) ''Rare Book and Special Collections Section'' [http:// www. ifla.org/ rare-books-and-special-collections] published its ''Guidelines for Planning the Digitization of Rare Book and Manuscript Collections'' [http://www.ifla.org/files/assets/rare-books-and-manuscripts/rbms-guidelines/ifla_guidelines_for_planning_the_digitization_of_rare_book_and_manuscripts_collections_september_2014.pdf] in 2014, covering project design, metadata creation, dissemination, and project assessment.
http://www.ifla.org/files/assets/rare-books-and -manuscripts/rbms-guidelines/ifla_guidelines_for_planning_the_digitization_of_rare_book_and_manuscripts_collections_september_2014. pdf
() [http://..org/ ] the of , design, , and and .
The '' International Press Telecommunications Council'' ( IPTC) ''Core Standard Specification'' [http://www. iptc. org/ cms/ site/ index.html?channel=CH0099] is a widely used metadata standard for describing photographs and includes details about embedding metadata into digital image files.
iptc.org /cms/site/index.html ?channel=CH0099
[http://www..///] and digital .
'Audio and Audiovisual Recordings''
The ''State of Recorded Sound Preservation in the United States: A National Legacy at Risk in the Digital Age'' [http://www.clir.org/pubs/abstract/reports/pub148] is a report commissioned by the ''National Recording Preservation Board'' [http://www.loc.gov/rr/record/nrpb/nrpb-home.html] of the Library of Congress that gives an overview of the complex legal and technical issues facing the preservation of recorded sound. The Board itself also maintains an ''Audio Preservation Bibliography'' [http://www.loc.gov/rr/record/nrpb/nrpb-presbib.html].
New York consulting company '' AVPreserve'' [http://www. avpreserve. com] maintains a useful list of publications and presentations on tools and techniques for the preservation of audiovisual media [http://www. avpreserve. com/ avpsresources/ papers-and-presentations/].
www. avpreserve. com/ avpsresources/ papers-and -presentations/
[http://www..] and on for [http://www..///].
A San Francisco nonprofit, the '' Bay Area Video Coalition'' ( BAVC) [http://www. bavc.org] has developed a set of '' Quality Control Tools for Video Preservation '' [http://www. bavc. org/ qctools].
a set of '' for
Preservation [http://www../ ] .
A list of ''National Geospatial Program Standards and Specifications'' [http:// nationalmap. gov/ standards/index. html] appears on the ''United States Geological Survey'' ( USGS) [http://www. usgs.gov] ''National Map Project'' website [http://nationalmap.gov].
[http://./.] the () . .
== METADATA AGGREGATION & REGISTRIES ==
The ''Digital Public Library of America'' (DPLA) [http:// dp. la/] aggregates the metadata of digital collections held in educational and cultural heritage institutions across the United States. Institutions with large digital collections may contribute data as Content Hubs, while smaller organizations may contribute through local Service Hubs. Contributors must abide by the DPLA's data policies [http:// dp. la/ info/ about/ policies/] in order to participate.
[http://./] of in cultural heritage institutions. [http://.//// ].
''Print Archives Preservation Registry'' (PAPR) [http:// papr. crl. edu] collects information about serial titles, print holdings, and archiving terms and conditions. It is a valuable resource for assessing the uniqueness of serial collections and determining the degree of need for digitization of those collections.
The [http://..], andand .a the of collections and of http://..
papr. crl. edu
== DIGITAL REPOSITORIES ==
The '' Directory of Open Access Repositories'' (OpenDOAR) [http://www.opendoar.org/index.html] is an international directory of academic open access repositories, useful for those seeking options for depositing digital collections or models for developing new digital repositories.
''Internet Archive'' [ https:// archive. org/ about/] website links to a wealth of relevant information about repositories, copyright and intellectual property, web archiving, and large-scale data storage under "Related Projects and Research" [https://archive.org/about/#research]. Internet Archive also offers digitization and repository services for institutions building and maintaining digital collections.
The [://.//] a , copyright .
The ''Trustworthy Repositories Audit & Certification: Criteria and Checklist'' (TRAC) [ http:// www. crl.edu/ archiving-preservation/ digital-archives/metrics-assessing-and -certifying/trac] describes the characteristics of secure and sustainable digital repository management.
[://..edu//and ] the of and/.
http:/ /www. crl.edu/archiving-preservation/digital-archives/metrics-assessing-and-certifying/trac
== DIGITAL PRESERVATION ==
Thanks to the ''WikiProject Digital Preservation'' [http://en.wikipedia.org/wiki/Wikipedia:WikiProject_Digital_Preservation], the information about digital preservation on Wikipedia [http://en.wikipedia.org/wiki/Digital_preservation] is substantial and current.
The ''National Digital Stewardship Alliance'' (NDSA) [http://www.digitalpreservation.gov/ndsa/index.html] has published the 2015 NDSA National Agenda for Digital Stewardship [http://www.digitalpreservation.gov/ndsa/documents/2015NationalAgenda.pdf], which provides a broad overview of current "challenges, opportunities, gaps, and trends" related to building and maintaining digital collections in the United States.
The '' Sustainability of Digital Formats'' page [http:// www. digitalpreservation. gov/ formats/intro/intro. shtml] provides detailed descriptions and notes on sustainability issues for hundreds of digital file formats [http://www.digitalpreservation.gov/formats/fdd/browse_list.shtml].
[http://../.] and of .
The '' Northeast Document Conservation Center'' (NEDCC) [https://www.nedcc.org] has compiled a '' Digital Preservation Reading List'' [https://www.nedcc.org/assets/media/documents/DigiPres_Biblio_Digital_Directions_2014_update.pdf] that provides a thorough introduction to the challenges of digital preservation as they relate to cultural heritage collections. Additional links to resources related to digital preservation are provided on NEDCC's website [https://www.nedcc.org/free-resources/digital-preservation].
== COPYRIGHT & INTELLECTUAL PROPERTY ==
The "Berkeley Digital Library Copyright Project" produces and disseminates research about copyright issues facing cultural heritage institutions building digital collections.
"Association of Research Libraries" [http://www. arl.org/ ], in particular its initiatives on "Transforming Special Collections in the Digital Age" [http://www.arl.org/focus-areas/research-collections/special-collections/2482-statements-principles-and -reports-of-arl-special-collections-working-groups#.VL82d0sn8RY] and on "Copyright and Intellectual Property" [http://www. arl.org/ focus-areas/ copyright-ip#.VL81v0sn8RY], has published a variety of documents relevant to the digitization of special collections and archives, including a 2012 special issue of "Research Library Issues" that covers legal concerns related to digitizing rare and unique materials.
The [http://www..org/ , and ] [http://www..org//of relevant to the of of .
In 2009, the "Society of American Archivists " [http://www2.archivists.org/] issued "Orphan Works: Statement of Best Practices" to guide decision- making in conducting research into the copyright status of unpublished collections. The document includes a variety of useful links and appendices.
Society of American Archivists[http://www2.archivists.org/] :-in . The document http://www2..//.
archivists. org/ sites/ all/files/OrphanWorks-June2009. pdf
In 2010, "OCLC Research" [http:// www. oclc.org/ research. html] organized a seminar and led the effort to develop a description of "Well- intentioned practice for putting digitized collections of unpublished materials online" [http:// www. oclc. org/ content/dam/research/activities/rights/ practice. pdf] , which provides useful guidance for institutions developing sustainable copyright risk assessment strategies for their digitization programs.
, [http://..org/.a -of [http://..//.] http://..org//.
www. oclc.org/ research/ activities/rights. html
In 2013, the "Center for Media & Social Impact" [ http:// cmsimpact.org ] issued the "Report on Orphan Works Challenges: for libraries, archives , and other memory institutions", a study of the obstacles cultural memory institutions face in their efforts to address concerns about rights and intellectual property that concludes with a set of recommendations for the development and dissemination of best practices for overcoming these obstacles.
[://.orgarchivesand , a of and the and .
cmsimpact. org/ fair-use/ related-materials/ documents/ report-orphan-works-challenges-libraries-archives-and-other-mem
"Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives" describes what libraries and archives can legally do to preserve and make accessible holdings of unpublished sound recordings.
clir.org/ pubs/ abstract/ reports/ pub144
FUNDING OPPORTUNITIES ==
''National Endowment for the Humanities'' (NEH) [http://www.neh.gov/] supports digitization and related activities through the ''Humanities Collections and Reference Resources'' program [http://www.neh.gov/grants/preservation/humanities-collections-and-reference- resources], the ''National Digital Newspaper Program'' [http://www.neh.gov/grants/preservation/national-digital-newspaper-program], and the ''Preservation and Access Research and Development'' [http://www.neh.gov/grants/preservation/preservation-and-access-research-and-development] grants.
The [http://www.neh.gov/ ] supports digitization and related activities through the [http://www.neh.gov/grants/preservation/humanities-collections-and-reference-] , the [http://www.neh.gov/grants/preservation/national-digital-newspaper-program ], and the [http://www.neh.gov/grants/preservation/preservation-and-access-research-and-development ] grants.
''National Historical Publications & Records Commission '' (NHPRC) [http://www.archives.gov/nhprc/] offers funding for digitization and related activities through the '' Access to Historical Records'' program [http://www.archives. gov/ nhprc/ announcement/access.html] and the ''Digital Dissemination of Archival Collections'' program [http://www.archives. gov/ nhprc/ announcement/digital. html].
The National Historical Publications & Records Commission(NHPRC) [http://www.archives.gov/nhprc/
and through the
This list of resources is curated by the Digital Library Federation for the benefit of cultural heritage professionals planning projects involving the digitization of rare and unique materials. Applicants to the Digitizing Hidden Special Collections and Archives and Recordings at Risk programs of the Council on Library and Information Resources may find these helpful in planning project proposals.
Rather than providing comprehensive coverage, this list includes introductory and reference materials that are good places to begin an exploration of issues of broad import to digitizing cultural heritage materials.
Content for this wiki page is currently being curated by program staff at the Council on Library and Information Resources. This page was originally developed and edited by the following team: Nicholas Graham, Project Coordinator, North Carolina Digital Heritage Center, Lisa Gregory, Digital Projects Librarian, North Carolina Digital Heritage Center, and Tamsyn Rose-Steel, CLIR/DLF Postdoctoral Fellow for Data Curation in Medieval Studies at Johns Hopkins University.
If you would like to suggest a resource for inclusion on this page, send your suggestion to email@example.com. The DLF is currently seeking professionals from DLF member institutions who would like to participate in a curatorial group to develop and maintain the content of this page. Prospective volunteers for this group should also send expressions of interest to firstname.lastname@example.org.
Getting Started with Designing a Digital Preservation Plan
This section includes resources that will give an overview of the concepts that a cultural heritage institution will consider as it designs a digital preservation plan for digitally reformatted materials. Many of these resources give special attention to concepts and strategies that will be of particular use to institutions working to construct a plan from scratch or with limited financial and technical means. Resources that focus on particular types of collections are included in separate categories.
Enhancing Access and Discoverability
- The Print Archives Preservation Registry (PAPR) collects information about serial titles, print holdings, and archiving terms and conditions. It is a valuable resource for assessing the uniqueness of serial collections and determining the degree of need for digitization of those collections.
Search Engine Optimization
- Getting Found: the SEO Cookbook provides a step-by-step video guide to help libraries measure and monitor the search engine optimization (SEO) performance of their digital repositories. The Cookbook includes everything necessary to implement a preconfigured Google Analytics dashboard that continuously monitors SEO performance metrics relevant to digital repositories.
- The Wikipedia Library offers resources to help cultural heritage institutions expose their collections through Wikipedia. As a common starting point for research, Wikipedia can be used to direct researchers to libraries where the resources can be accessed directly.
- The Association of Research Libraries (ARL) Web Accessibility Toolkit explains the principles of accessibility, universal design, and digital inclusion, and offers tips about best practices and checklists for digital repository creators that can help them ensure digitized content is as broadly accessible as possible.
Enhancing Access and Discoverability to Media Collections
- The Media Ecology Project (Dartmouth College) "provides online access to primary moving image research materials, and engages dynamic new forms of scholarly production and online publishing."
Audio and Audiovisual
- The Council on Library and Information Resources produced Strategies for Audiovisual Digitization Projects (2017), a free two-part webinar series that discusses multiple approaches that cultural memory institutions can take to digitally reformat audiovisual materials and collections. Outsourcing with Audiovisual Digitization Service Providers (Transcript, Slides), features a panel of representatives from a/v digitization vendors who discuss types of services and common hurdles faced by institutions. Low-Cost, DIY, and Community-Based Approaches to Audiovisual Digitization (Transcript, Slides), features a panel of speakers who discuss a variety of tools, strategies, and organizations that are focused on creating broader access to resources needed for audiovisual digitization projects, and will provide guidance on how best to implement in-house audiovisual digitization programs.
- The Association for Recorded Sound Collections (ARSC) released the ARSC Guide to Audio Preservation in 2015 as a practical introduction to caring for and preserving audio collections. It is aimed at individuals and institutions that have recorded sound collections but lack the expertise in one or more areas to preserve them.
- In 2016, the Audio-Visual Working Group of the Federal Agencies Digitization Guidelines Initiative's released Guidelines: Motion Picture Film Scanning Projects. This report includes "an introductory essay, a set of tables that describe a range of film 'inputs' and digital 'outputs,' and concludes with a model statement of work for outsourced conversion of film to video." Film digitization standards are still in the early stages of development, but this report provides a solid understanding of current best practices.
- Format Characteristics and Preservation Problems (2007) "succinctly covers the format characteristics and preservation problems identified by FACET (Field Audio Collection Evaluation Tool) as contributing to instability, degradation, and/or increased risk, providing specific information to aid in ranking field collections using the FACET software application." FACET is an open-source application that "helps collection managers construct a prioritized list of audio collections by condition and risk, enabling informed selection for preservation." Even for institutions not using FACET, the publication is a good source of information (with several helpful visual aids) that can aid in the assessment of audio collections.
- Visual & Playback Inspection Ratings System (ViPIRS) is a "Microsoft Access database tool designed to assist in the survey and preservation planning of audiovisual collections as part of Developing Principles and Methodologies for Moving Image and Audio Preservation in Research Libraries. ViPIRS is designed with a wide range of users in mind: from audiovisual novices to experts; from small institutions to large." ViPIRS has been developed for magnetic media, which includes modules for videotape, audiocassettes, and 1/4" reel-to-reel.
- NEDCC | Northeast Document Conservation Center provides training on digitization of AV collections, including webinars and workshops. 
Outsourcing Audiovisual Digitization
- Digitizing Video for Long-Term Preservation: An RFP Guide and Template "is intended to take an institution step-by-step through the process of drafting a Request for Proposals (RFP) for the transfer of analog video formats to digital carriers for preservation. This template can be used by libraries, archives, and other cultural heritage institutions and submitted to qualified transfer vendors."
Copyright and Intellectual Property
- Traditional Knowledge (TK) Labels are a tool for Indigenous communities to add existing local protocols for access and use to recorded cultural heritage that is digitally circulating outside community contexts. They can be used to identify and clarify which material has community-specific restrictions regarding access and use.
Determining Copyright Status
Provenance, Privacy, and Ethics
This section includes a listing of organizations that provide support for projects involving digitization of archival materials for preservation and access. This list is not exhaustive and submissions are encouraged (send submissions to DigiWiki@clir.org).
- The Bay Area Video Coalition (BAVC) will be offering a sliding scale discount of up to 70% for tape-to-file video preservation transfer services to individual artists and small to medium sized arts and cultural heritage organizations. U.S. based individual artists and visual, performing and cultural arts organizations, historical societies and regional archives with arts-related collections are invited to apply for discounted services through an application process.
- The GRAMMY Museum Grant Program awards grants to organizations and individuals to support efforts that advance the archiving and preservation of the music and recorded sound heritage of the Americas. The Archiving and Preservation area has two funding categories: Preservation Implementation ($20,000 max award) and Assistance, Assessment and/or Consultation ($5,000 max award).
- The National Film Preservation Foundation offers several types of preservation grants supporting the creation of preservation and access copies of American orphan films of historic and cultural interest. Basic Preservation Grants are the best choice for most institutions. Offered twice yearly, these grants award cash and in some cases services donated by laboratories and post-production houses. The larger Matching Grants enable experienced preservationists to undertake more extensive projects. The Avant-Garde Masters Grants, funded through the generous support of The Film Foundation, target the preservation of motion pictures significant to the development of the avant-garde in America.
Education and Training Opportunities
- Strategies for Audiovisual Digitization Projects is a free two-part webinar series that discusses multiple approaches that cultural memory institutions can take to digitally reformat audiovisual materials and collections. Effective Outsourcing with Audiovisual Digitization Service Providers includes representatives from a variety of audiovisual digitization service providers who discuss types of available services and common hurdles faced by institutions. Low-Cost, DIY, and Community-Based Approaches to Audiovisual Digitization has speakers discuss a variety of tools, strategies, and organizations that are focused on creating broader access to resources needed for audiovisual digitization projects. Speakers also provide guidance on how best to implement your own audiovisual digitization program.
- Lyrasis offers a variety of classes relevant to digitization and digital content management, such as Introduction to Audio Visual Digitization, Introduction to Digital Project Management Planning, and Digitization for Small Institutions. The classes and events schedule contains up-to-date information about offerings.
- The Northeast Document Conservation Center (NEDCC) offers a variety of programs, including several related to digital collections, digital preservation, and preservation of audiovisual collections.
Information from Digitization Service Providers
NOTE: This section is provided for convenience and information only. The Digital Library Federation and the Council on Library and Information Resources do not recommend or endorse any specific digitization service provider, and the use or non-use of any particular provider has no bearing upon any applicant's consideration in the Digitizing Hidden Special Collections and Archives or Recordings at Risk competitions.
Adams Media Preservation (formerly Mass Productions) is an expert Audio, Video, and Film digitization service with over 27 years of experience. Adams Media Preservation specializes in reformatting large archives of obsolete media. They have preserved thousands of audio and video recordings of great historical value for Universities, Museums and Libraries. Adams Media Preservation can transfer any media, including rare and difficult formats such as Audio Wires, Audograph records, and low speed oral history audio reel tapes. Adams Media Preservation has proprietary cleaning equipment and procedures for recovering moldy and damaged media.
Adams Media Preservation services include:
- NARA and Library of Congress archive standards compliance
- Highest Resolution Media Transfers and Reformatting
- Mold removal, Tape baking, and advanced recovery
- Film color restoration
- Information Technology Consultation
- Metadata collection and embedding
- Free access copy files for online streaming
- Raid data storage and backup during production
- Delivery on Hard Drive or Cloud
Please contact Adams Media Preservation at email@example.com or call 617-501-1738.
ArcaSearch is the leader in document preservation and search for historical, educational, corporate, and government archives. ArcaSearch's expertise is digitally preserving original materials, and then creating an easy to use searchable archive. ArcaSearch was awarded a patent in 2010 for its image capture process that produces high quality and fast search results. For a live demonstration, contact Chuck Miotke, ArcaSearch General Manager, at firstname.lastname@example.org or at 989 430 3877.
Audio Mechanics provides detailed evaluation and high quality preservation transfers of archival audio formats including analog audiotapes, digital media, discs and cylinders as well as optical and magnetic film soundtracks. Clients trust our aesthetic sensibilities and proprietary techniques. For over 24 years Audio Mechanics has serviced the preservation needs of domestic and international public and private institutions and the major film studios. Audio Mechanics offers an exclusive, highly successful process for cleaning and transferring deteriorating magnetic film (shrunken/vinegar syndrome).
- Highly experienced staff of audio engineers specializing in transfer/preservation/restoration
- Extensive noise removal software tools (NoNoise, Cedar, Waves, IzotopeRX, Adobe Audition)
- Library inventory metadata prioritization analysis for preservation/migration/archival transfer
- Incubation dehydration preparation and or baking for sticky shed syndrome transfer
- Mold abatement and remediation of audio media
- High Resolution preservation transfers up to 24bit-192K available
- Physical and aural evaluation, JPEG documentation and detailed QC reports during and after capture
- Checksum and digital data integrity confirmation on all deliverable files
Custom analog audio source machines
Audio Mechanics analog transfer equipment utilizes custom or modified audio electronics matching or exceeding original manufacturers specs and audiophile analog-to-digital converters for best possible sound quality capture. Our tape machine transports have been modified to facilitate shrunken material to minimize potential mechanical issues and to improve sound quality and the safety of transferring deteriorating masters.
Location and contact information: 1200 West Magnolia Blvd., Burbank, California 91506 | (818)846-5525 | John Polito
Bay Area Video Coalition is one of the nation’s longest-standing non-profit video and audio preservation organizations. BAVC remains a leader in the field, developing the highest quality preservation standards and practices while working with individuals and cultural, academic, and media organizations to meet a range of needs for preserving historically and artistically important video and audio materials. BAVC provides Assessment & Planning and Transfer services. BAVC's Preservation Access Program offers reduced rates on video and audio preservation services to artists and small- to mid-sized arts and cultural heritage organizations. Services include analog-to-digital preservation transfers at a discounted rate based on organizational budget size. NEA funding also supports BAVC’s efforts to advance audiovisual preservation practice and theory based on new and innovative developments in the field.
The deadline for the next round of PAP is forthcoming, and will likely be in the late summer of 2017! Questions can be answered by calling 415-558-2131 or by emailing preservation-at-bavc.org).
BMI Imaging Systems, Inc. enables libraries to transform microfilm records into a digital format that provides easy access and image enhancement capabilities never seen before. In addition to the archival TIFF used for inclusion to the State/National repositories, BMI provides a solution that allows patrons to scroll digital microfilm rolls from a computer and use full text search to find records, articles, and photos for interim access. Adjustable grayscale allows users to turn black and white images into real photos. For more information please contact Jake Walker at (800) 488-3456 ext 406 or email@example.com.
Creekside Digital operates 16,000 square foot facilities in Glen Arm, MD dedicated exclusively to standards-compliant, measurably accurate still image digitization, and counts some of our nation's largest and most prestigious cultural institutions as core customers. All of our projects are executed against a strict minimum FADGI 3-Star level of performance across all metrics in accordance with the recommendations found in the current FADGI Technical Guidelines for Digitizing Cultural Heritage Materials. This balances the delivery of preservation-quality assets with maximizing our customers' budgets, allowing them to convert more content under their grants while minimizing risk. Our experienced project managers guide you through every step of the process from initial quoting and startup to production and delivery of your assets.
Creekside Digital can non-destructively digitize the following types of materials, either onsite at your institution or at our Maryland facilities:
- Books and bound volumes of all sizes and conditions
- Newspapers from paper originals (both bound and loose) as well as from microfilm
- Truly affordable NDNP-compliant asset creation to yield batches which verify using the Library of Congress' DVV2 tool and seamlessly ingest into popular newspaper presentation platforms including Veridian, CONTENTdm and Open ONI / chronam
- Photographic materials including slides, glass plates, photo prints, stereo cards, strip and roll film, single negatives, and more
- Microform including 16mm and 35mm microfilm rolls, microfiche in any format, and aperture cards
- Archival collections, manuscripts, and paper documents
- Large format items including maps, drawings, blueprints, artwork, and aerial and panoramic photos
- Objects, ephemera, and museum collections
Typical master files are TIFF uncompressed or JPEG2000 in strict accordance with FADGI. Common derivatives include METS / ALTO XML, JPEG, GIF thumbnail, and OCR to PDF or PDF/A per your specific use case and selected presentation platform. 100% of the assets we deliver are verified for well-formedness and adherence to your project's specifications using filetype-appropriate tools including JHOVE, Jpylyzer, and veraPDF.
All digitized assets we deliver come with a lifetime warranty (any defects in the digitization process are fixed at our expense, forever).
For more information or to receive a quote for your project, please email our Director of Digital Services Joan DaShiell at firstname.lastname@example.org.
The Cutting Corporation is an Audio Preservation Lab that specializes in preserving obsolete analog audio recordings to high quality digital format. Using both contemporary and vintage audio equipment mixed with years of knowledge and experience, we are able to offer exceptionally high quality analog to digital conversions for practically any type of audio media. Whether you are a university archive with oral histories or an individual with family recordings, we can provide a customized digitization solution for your audio collection.
For additional information, please contact Aaron Coe at 301.654.2887.
DANSK Film Digitization, now partnered with PostWorks NY, is providing even more robust, comprehensive solutions to digitizing 16mm & 35mm film, as well as video tape. Clients include universities, government agencies, libraries, filmmakers, media companies and news agencies. Our innovative, high-precision Steenbeck Digitizing Table offers best quality, fast-turnaround, affordable results and the best treatment for films which may have deteriorated or shrunken.
We are also proud to offer a state-of-the-art, robust AI Restoration and Color Correction service which produces very impressive results more quickly and at less cost than traditional methods.
- Digitization of 16mm and 35mm film, including sep mag, optical track and all other audio-on-film formats
- Digitize 2K or 4K at up to 60fps
- Steenbeck Digitizing Table highly is tolerant of damaged perforations, fragile splices, warped, brittle and shrunken films
- A.I. Restoration & Color Correction Services – See some samples: 
- Expert in analysis and evaluation of archive condition providing best options for preservation and restoration
- Physical repair, splicing and cleaning using Lipsner-Smith Ultrasonic cleaner
- Video digitization from all formats
- Traffic department and climate-controlled vault for careful tracking and storage of your valuable assets
- An expert support team of engineers, programmers, colorists and other film and digital media specialists
- Steenbeck technology allows for the option of quick, simple set-up, on your site, if your archives cannot be moved.
Main offices are located at 110 Leroy Street, New York, NY 10014. Please contact us at 212-894-4000 (Main) or 212-886-5230 (Direct).
DataBank is a National Document & Information Management Company with over 23 years of experience in document conversion and automation. Their areas of expertise include the conversion of photos, archival documents and legacy microfilm or microfiche collections. They offer seamless integration with repositories for storage and retrieval of scanned media. For additional information contact Kathy Berger, Senior Solutions Consultant, at email@example.com or at (603) 463-0154.
Digital Media Services has an Archival Digitization program for the preservation and conversion of physical tape and film formats into the latest digital file formats. It has digital archive service centers on both U.S. coasts to minimize shipping costs and times for clients. For a free quote or questions concerning an upcoming project, please contact Keith Eland, Senior Account Executive, by phone at 646-975-6122, or by email at firstname.lastname@example.org.
Digital Revolution is a full service Multi Media facility located in the heart of San Francisco. Founded by Paul Grippaldi in 2004, Digital Revolution is dedicated to helping clients create high quality digital media. From Legacy Media Digitizing : Preservation : Archiving : Video Creation : Post Production : Disc & USB Copying Services, Digital Revolution is the choice of Corporations, Educational Institutions, Non-Profits, Film Companies, Government Agencies and Individuals for their multi-media needs. For additional information call Digital Revolution at 415-398-1200.
Immure Records is a Minnesota-based company that provides video and audio media transfer and restoration services for a variety of formats. Address: 1740 130th Ave. NE Blaine, MN 55449 | Phone: (763) 862-5992 | Email: email@example.com
Innovative Document Imaging (IDI) maintains an 8,500 state-of-the-art digital conversion facility in East Brunswick, New Jersey and a 7,500 square facility in Shelton Connecticut. The Ct. site supplies the highest-quality microfilm-from-digital images utilizing electron-beam technology and microfilm mastering and duplication services for the world’s largest publishers.
Our company mission is to deliver the best service possible at reasonable cost for the digital conversion of paper documents, newspapers, maps, books, bound materials, microfilm, and microfiche. IDI balances price, quality, and speed in order to provide clients digital assets at the specifications and with the necessary tools to meet their requirements, where possible we can exceed their expectations. In addition to data conversion, IDI prides itself on its ability to go the extra step and fulfill metadata, data archiving, or enterprise content management needs as they arise.
Innovative Document Imaging’s name directly reflects its approach to serving its clients by focusing on “innovation.” IDI is more than a content conversion facility. It is also a re-seller of digital equipment and enterprise content management systems that has partner relationships with Canon, Konica-Minolta, Kirtas, and Kofax. IDI is also a developer of content management systems for use by libraries and private firms, including its E-File and DigiFind-It Cloud Portal solutions and it is an electronic archive backup system for various enterprises.
In all these endeavors, IDI seeks to present a suite of solutions for content imaging, data management and short and long term digital storage for its clients. Currently, IDI specializes in serving libraries, museums, historical societies and associations, publishers, and pharmaceutical companies.
IDI’s 7,500 square facility in Shelton Ct. supplies the highest-quality microfilm-from- digital images utilizing electron-beam technology and microfilm mastering and duplication services for the world’s largest publishers, museums and libraries.
The Internet Archive (IA) is one of the world’s largest public digital libraries, with an extensive collection of human culture. The goal is to provide free access to all knowledge in an accessible, digital format for researchers, historians, people with disabilities, and the general public. The Internet Archive also offers online access and discovery of digital content, including public domain eBooks and a more selective collection of public domain and non-public domain texts available for lending at OpenLibrary.org.
IA offers non-destructive digitization with a range of analog and born-digital formats, including: printed materials that are bound and unbound (books, magazines, yearbooks, etc.), archival materials, photographs, microfilm, microfiche, film and video (8mm and 16mm). Services include photographic imaging, digital processing, preservation, and access to digital data. Items to be digitized can be sent to one of 33 regional digitization centers around the world, or portable equipment can be placed on-site within libraries and archives. Questions: DigitalLibraries@archive.org
For an overview of the Internet Archive workflow, please click this link; To reach one of the Internet Archive centers, view contact info at this link; and to purchase digitization equipment, follow this link.
Luna Imaging, Inc. offers digitization and software & hosting services for building and maintaining digital collections. Digitization services include: Preservation scanning; Access capture; Book capture services; and OCR, PDF, BookReader processing.
LYRASIS can support special collections and archival digitization projects by providing:
- Digitization and Project Management Services – working through its Digitization Collaborative LYRASIS can digitize a wide range of source materials including print/manuscript/microfilm/photographic materials/audio/video and film and manage the process for you.
- Staff Expertise – information on processes and standards for project planning
- Professional Development Opportunities – LYRASIS offers a wide range of classes and can provide specific digitization classes to suit local needs.
The MediaPreserve (a division of Preservation Technologies)
The MediaPreserve, a division of Preservation Technologies, provides high-quality reformatting services for audio, video and film. Using expertly-modified legacy equipment as well as current technologies, our staff of engineers, librarians, archivists and metadata specialists transfer and document your collection materials according to professional standards and best practices so that your AV assets remain accessible into the futur
Memnon Archiving Services offers a range of services to digitize, restore, preserve and provide access to audio-visual and cultural archives. Our unique parallel workflow system is designed to ensure quality while allowing larger volumes of materials to be preserved. Memnon’s services are suitable for a wide range of archive owners – from cultural institutions, libraries, universities and record labels. Memnon has accrued over 15 years of experience working with audio-visual technology throughout in Europe, North America, Africa and the Middle East. Our workforce has evolved into a multi-disciplinary team of engineers, computer specialists, documentation and meta-data management experts and project managers. A Sony Company since 2015, Memnon has the flexibility to provide services in a way that best fits our clients’ needs. Our North American headquarters are located in Bloomington, Indiana.
- Outsourced Service - In four delivery centers around the world, we propose an easy and paramount solution for all your archiving needs, ensuring high efficiency and fast project completion.
- On-site Managed Service - Memnon in-a-box is our onsite managed service to provide digitization service in your facilities- planning, setup, ramp up, delivery, completion, removal. Memnon manages and operates the project in your facilities, with optional deployment of your staff and your equipment if requested. Leverage Memnon’s workflows, tools, operational procedures, equipment, staff and expertise, with no further investment for you.
- Hybrid Services - Depending on your specific requirements, Memnon can implement a mixed approach where part of the digitization process is done in-house while other parts are outsourced.
- Audio Digitization - Memnon has a complete range of equipment for reading a wide range of sound formats. We make it our business to constantly acquire equipment of all kinds and have extensive experience of working with delicate and complex formats and innovative new techniques.
- Video Digitization - Memnon is committed to providing high quality cleaning and processing to enhance media quality while ensuring authenticity of the original content, fast transfer through latest automated preservation processes and excellent cost efficiency.
- Film Digitization - Film digitization is a sensitive and delicate task requiring a great deal of knowledge and know how. Our highly qualified team handles your material with care and puts all its skills to restore, clean, repack, synchronize sound, catalog and digitize your collections.
- Restoration and Treatment - Memnon ensures authenticity of the original content through latest, cost efficient and excellent preservation processes by high quality cleaning and treatment, a large panel of media quality enhancements and restoration of the recordings.
- QC & Delivery - Thanks to its 25-year history in the sector, the company delivers the highest quality in industrial processes and quality control methodologies trough industry and Memnon proprietary tools.
- Metadata Management, Content Indexation and Enrichment - We help to create, manage and consolidate from different source of metadata in the digitization and we can enrich your context based information with various automated processes.
- Project Management - To meet expectations precisely, we draw up detailed specifications with the clients representatives prior to the initiation of the project. Safeguarding of the collections fidelity and integrity is a must in any of our logistic and production processes. Specific procedures are in place to ensure a controlled and secured environment and all our employees are well aware of the cultural and historical value of materials and of the sensitivity to content’s nature.
- Workflow and Tools - Based on the unique expertise in handling large scale digitization and physical carrier handling, Memnon’s in-house R&D unit has develop proprietary workflow management platform and unique toolsets to advance, monitor and manage the entire workflow and carrier handling through the entire process.
- Cataloguing and Collections Planning - Memnon offers clients support and services for Cataloguing and Collections Planning process. This is often the very first setup to assess what exists in the archives, and to prepare and sort the collections for an accurate quote and shipment planning.
NEDCC | Northeast Document Conservation Center is nonprofit conservation and preservation center specializing in conservation, digitization, and audio preservation of cultural heritage collections. NEDCC provides conservation treatment for books, maps, photographs, documents, manuscripts, architectural plans, and works of art on paper, as well as digital imaging for rare, historic, and oversize materials. The Center provides digitization of audio media using traditional and optical-scanning technologies (IRENE) and specializes in 100% attended transfers of unique, damaged, or at-risk recordings on wax cylinder, lacquer disc, and magnetic and digital audiotape. NEDCC is a trusted resource for training and information on care and handling of significant collection materials.
Northeastern Digital is a full service digital mastering facility, specializing in the digitization of analog tape. With 35 years of expertise, we have transferred and restored hundreds of legacy music recordings for major artists and labels (David Bowie, Arlo Guthrie, Bob Marley, Alison Krauss, Biograph Records, Rounder Records). Our approach is this: every music recording is unique and requires special attention and custom equipment to optimize the transfer and yield the best results. All tape formats are accepted and all digital target formats are available. If your materials are in the general DC area, we can pick them up, so that you avoid any risk of loss or damage from shipping.
Northern Micrographics has over 60 years of experience partnering with clients in library, academic, commercial and industrial markets to provide superior preservation imaging products and services. They scan a variety of object types including bound and disbound volumes, photos, maps, microfilm and microfiche. Northern Micrographics can also help place digital collections online with custom software products, ProSeek® and PhotoAtlasTM. They also offer a variety of other services including microfilming, microfilm duplication, metadata development, data conversions, hosting and bookbinding. Contact Northern Micrographics at 800-236-0850 or at firstname.lastname@example.org to learn more.
SALOMON MASTERING & RESTORATION is an audio studio/laboratory, located in San Juan, Puerto Rico. Dedicated to mastering, conservation and restoration of collections of sound documents, recorded in different media and old formats, for organizations and archival institutions. The audio engineer Néstor Salomón also provides consulting services for archival organizations and record labels. Website: www.nestorsalomon.com - Tel / Whatsapp: +1 787 949-9065 - Email: email@example.com
Two Cat Digital has been providing world-class digital imaging and consulting services since 2003 with a particular emphasis on cultural heritage institutions and materials. Their passion is in designing and managing efficient digitization workflows, and for helping clients bring their valuable collections to light. Two Cat clients include hundreds of institutions including museums, libraries, universities, government agencies, architects, photographers and non-profit organizations. For additional information contact Two Cat at firstname.lastname@example.org.
If you would like to suggest a resource for inclusion on this page, send your suggestion to email@example.com. The DLF is currently seeking professionals from DLF member institutions who would like to participate in a working group to develop and maintain the content of this page. Prospective volunteers for this group should also send expressions of interest to DigiWiki@clir.org.