Editing Digitizing Special Formats

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This list of resources is curated by the Digital Library Federation for the benefit of cultural heritage professionals planning projects involving the digitization of rare and unique materials. Applicants to the [http://www.clir.org/hiddencollections/ Digitizing Hidden Special Collections and Archives] and [https://www.clir.org/recordings-at-risk Recordings at Risk] programs of the [http://www.clir.org/ Council on Library and Information Resources] may find these helpful in planning project proposals.
This list of resources has been curated by the Digital Library Federation for the benefit of cultural heritage professionals planning projects involving the digitization of rare and unique materials. Applicants to the Digitizing Hidden Special Collections and Archives [http://www.clir.org/hiddencollections/] program of the Council on Library and Information Resources [http://www.clir.org/] may find these helpful in planning project proposals.
Rather than providing comprehensive coverage, this list includes introductory and reference materials that are good places to begin an exploration of issues of broad import to digitizing cultural heritage materials.
Rather than providing comprehensive coverage, this list includes introductory and reference materials that are good places to begin an exploration of issues of broad import to digitizing special formats.
Content for this wiki page is currently being curated by program staff at the [https://www.clir.org/ Council on Library and Information Resources]. This page was originally developed and edited by the following team: Nicholas Graham, Project Coordinator, [https://www.digitalnc.org North Carolina Digital Heritage Center], Lisa Gregory, Digital Projects Librarian, North Carolina Digital Heritage Center, and Tamsyn Rose-Steel, CLIR/DLF Postdoctoral Fellow for Data Curation in Medieval Studies at Johns Hopkins University.
If you would like to suggest a resource for inclusion on this page, send your suggestion to [mailto:info@diglib.org info@diglib.org]. The DLF is currently seeking professionals from DLF member institutions who would like to participate in a curatorial group to develop and maintain the content of this page. Prospective volunteers for this group should also send expressions of interest to [mailto:info@diglib.org info@diglib.org].
== Getting Started with Designing a Digital Preservation Plan ==
This section includes resources that will give an overview of the concepts that a cultural heritage institution will consider as it designs a digital preservation plan for digitally reformatted materials. Many of these resources give special attention to concepts and strategies that will be of particular use to institutions working to construct a plan from scratch or with limited financial and technical means. Resources that focus on particular types of collections are included in separate categories.
The '''Federal Agencies Digitization Guidelines Initiative''' (or FADGI) [http://www.digitizationguidelines.gov] is a collaboratively maintained clearinghouse of information related to digitization, from project planning [http://www.digitizationguidelines.gov/guidelines/digitize-planning.html], to digital file formats [http://www.digitizationguidelines.gov/guidelines/File_format_compare.html], to technical specifications [http://www.digitizationguidelines.gov/guidelines/digitize-technical.html]. FADGI was launched in 2007 under the auspices of the National Digital Information Infrastructure and Preservation Program (NDIIPP). Two working groups develop FADGI outcomes:
(1) the ''Still Image Working Group'' [http://www.digitizationguidelines.gov/still-image/] produces guidelines for creating digital images of cultural heritage materials; and
(2) the ''Audio-Visual Working Group'' [http://www.digitizationguidelines.gov/audio-visual/] covers the digitization of analog audio and audiovisual recordings as well as the digital reformatting of born-digital audio or audiovisual content.
* Thanks to the [http://en.wikipedia.org/wiki/Wikipedia:WikiProject_Digital_Preservation WikiProject Digital Preservation], the information about [http://en.wikipedia.org/wiki/Digital_preservation digital preservation on Wikipedia] is substantial and current.
The Association of Research Libraries (ARL) [http://www.arl.org/] developed the "'''Principles to Guide Vendor/Publisher Relations in Large-Scale Digitization Projects of Special Collections Materials'''" [http://www.arl.org/storage/documents/publications/principles_large_scale_digitization.pdf] in 2010 to help institutions build strong working relationships with commercial partners while creating broad access to their collections.
* The [http://www.digitalpreservation.gov/ndsa/index.html National Digital Stewardship Alliance] (NDSA) has published the [http://ndsa.org/activities/levels-of-digital-preservation/ NDSA Levels of Digital Preservation], “a tiered set of recommendations for how organizations should begin to build or enhance their digital preservation activities.” Additionally, the [http://www.digitalpreservation.gov/ndsa/documents/2015NationalAgenda.pdf 2015 NDSA National Agenda for Digital Stewardship] provides a broad overview of current "challenges, opportunities, gaps, and trends" related to building and maintaining digital collections in the United States.
Working with the Digital Library Federation [http://www.diglib.org/groups/assessment/] [[Assessment]] Group, Joyce Chapman at the State Library of North Carolina developed the '''Library Digitization Cost Calculator''' [http://statelibrarync.org/plstats/digitization_calculator.php] using data collected by Duke University, the University of Alabama, and the Triangle Research Libraries Network. The tool helps professionals create rough estimates for still image digitization of archival collections.
* The [http://www.dpconline.org/ Digital Preservation Coalition’s] [http://handbook.dpconline.org/ Digital Preservation Handbook] (now in its second edition) is “an internationally authoritative and practical guide to the subject of managing digital resources over time and the issues in sustaining access to them.” The Handbook includes a useful [http://handbook.dpconline.org/content-specific-preservation/moving-pictures-and-sound overview of audio and audiovisual content], including links to many other resources.
* [http://www.dpworkshop.org/ Digital Preservation Management: Short-Term Strategies for Long-Term Problems] is a comprehensive tutorial created by Cornell University Libraries with funding from the National Endowment for the Humanities. It is now hosted by the MIT Libraries.
* [http://commons.lib.niu.edu/handle/10843/13610 From Theory to Action: “Good Enough” Digital Preservation Solutions for Under-Resourced Cultural Heritage Institutions] (2014) is a white paper compiling the results of a three-year study of affordable, scalable digital preservation solutions suitable for under-resourced organizations.
* The [https://www.nedcc.org Northeast Document Conservation Center] (NEDCC) has compiled a [https://www.nedcc.org/assets/media/documents/DigiPres_Biblio_Digital_Directions_2014_update.pdf Digital Preservation Reading List] that provides a thorough introduction to the challenges of digital preservation as they relate to cultural heritage collections. Additional links to resources related to digital preservation are provided on [https://www.nedcc.org/free-resources/digital-preservation NEDCC's website].
'''Data Integrity'''
* [http://digitalomnium.com/simple-act-of-digital-preservation-the-checksum/ The "Checksum" and the Digital Preservation of Oral History], from [http://digitalomnium.com/ Digitalomnium], provides an excellent broad overview and discusses freely available tools that are easily incorporated into workflows.
'''Newspaper Collections'''
* The [http://educopia.org/sites/educopia.org/files/publications/Guidelines_for_Digital_Newspaper_Preservation_Readiness_0.pdf Guidelines for Digital Newspaper Preservation Readiness] address a specific set of preservation challenges faced by libraries, archives, historical societies, and other organizations that curate substantial collections of digital newspaper content.  ''Guidelines'' was written by Katherine Skinner and Mat Schultz and was published by the [http://educopia.org Educopia Institute] in 2014.
== Enhancing Access and Discoverability ==
'''Metadata Aggregation'''
* The [http://dp.la/ Digital Public Library of America] (DPLA) aggregates the metadata of digital collections held in educational and cultural heritage institutions across the United States. Institutions with large digital collections may contribute data as [https://dp.la/info/hubs/#our-content-hubs Content Hubs], while smaller organizations may contribute through local or regional [https://dp.la/info/hubs/ Service Hubs]. Contributors must abide by the [http://dp.la/info/about/policies/ DPLA's data policies] in order to participate.
* See also: [http://dp.la/info/wp-content/uploads/2014/03/Intro-to-DPLA-metadata-model-2014.pdf An Introduction to the DPLA Metadata Model] (pdf);
* The [http://dp.la/info/developers/map/ DPLA Metadata Application Profile];
* [http://vimeo.com/117617171 DPLA Metadata Aggregation Webinar Recording], 1/22/15;
* North Carolina Digital Heritage Center’s [https://github.com/ncdhc DPLA Aggregation Tools on Github];
* [http://mwdl.org/index.php Setting Up a Repository for Harvest], Mountain West Digital Library;
* [http://texashistory.unt.edu/ Portal Partners Page], The Portal to Texas History
* [http://papr.crl.edu/ The Print Archives Preservation Registry] (PAPR) collects information about serial titles, print holdings, and archiving terms and conditions. It is a valuable resource for assessing the uniqueness of serial collections and determining the degree of need for digitization of those collections.
'''Search Engine Optimization'''
* [http://www.clir.org/pubs/reports/pub165 Getting Found: the SEO Cookbook] provides a step-by-step video guide to help libraries measure and monitor the search engine optimization (SEO) performance of their digital repositories. The Cookbook includes everything necessary to implement a preconfigured Google Analytics dashboard that continuously monitors SEO performance metrics relevant to digital repositories.
* [https://en.wikipedia.org/wiki/Wikipedia:The_Wikipedia_Library/About The Wikipedia Library] offers resources to help cultural heritage institutions expose their collections through Wikipedia. As a common starting point for research, Wikipedia can be used to direct researchers to libraries where the resources can be accessed directly.
* The Association of Research Libraries (ARL) [http://accessibility.arl.org/ Web Accessibility Toolkit] explains the principles of accessibility, universal design, and digital inclusion, and offers tips about best practices and checklists for digital repository creators that can help them ensure digitized content is as broadly accessible as possible.
'''Enhancing Access and Discoverability to Media Collections'''
* [http://sites.dartmouth.edu/mediaecology/ The Media Ecology Project] (Dartmouth College) "provides online access to primary moving image research materials, and engages dynamic new forms of scholarly production and online publishing."
== Digital Repositories ==
* [https://public.ccsds.org/pubs/650x0m2.pdf Reference Model for an Open Archival Information System (OAIS)]
* [http://www.crl.edu/archiving-preservation/digital-archives/metrics-assessing-and-certifying/trac The Trustworthy Repositories Audit & Certification: Criteria and Checklist (TRAC)] describes the characteristics of secure and sustainable digital repository management.
* [http://www.opendoar.org/index.html The Directory of Open Access Repositories (OpenDOAR)] is an international directory of academic open access repositories, useful for those seeking options for depositing digital collections or models for developing new digital repositories.
* [https://lockss.org/locksswp/wp-content/uploads/2013/01/IDCC2013.pdf Distributed Digital Preservation in the Cloud]
* [https://www.avpreserve.com/ AVPreserve's] [https://www.avpreserve.com/papers-and-presentations/cloud-storage-vendor-profiles/ Cloud Storage Vendor Profiles] breaks down the offerings of third party cloud storage providers from a preservation point of view. Assessment points include Data Management, Reporting/Metadata, Redundancy, Accessibility, Security, End of Service, and adherence to the [http://www.digitalpreservation.gov:8081/ndsa/activities/levels.html NDSA’s Levels of Preservation].
== Digital Reformatting ==
* The [http://www.digitalpreservation.gov/formats/intro/intro.shtml Sustainability of Digital Formats page] provides detailed descriptions and notes on sustainability issues for [http://www.digitalpreservation.gov/formats/fdd/browse_list.shtml hundreds of digital file formats].
* The [http://dashboard.diglib.org/ Digitization Cost Calculator] was created by the Digital Library Federation's [https://wiki.diglib.org/Assessment:Costs Cost Assessment working group] as a tool to "assist organizations in digitization project planning and benchmarking." The calculator currently supports projects involving image capture, but the Cost Assessment working group has plans to incorporate audio and audiovisual digitization in the future.
'''Audio and Audiovisual'''
* The [https://www.clir.org/ Council on Library and Information Resources] produced [https://www.diglib.org/strategies-audiovisual-digitization-projects/ Strategies for Audiovisual Digitization Projects] (2017), a free two-part webinar series that discusses multiple approaches that cultural memory institutions can take to digitally reformat audiovisual materials and collections. [http://clir.adobeconnect.com/pzarj5g51ujk/Effective Outsourcing with Audiovisual Digitization Service Providers] ([https://www.diglib.org/wp-content/uploads/sites/3/2017/11/Effective-Outsourcing-with-Audiovisual-Digitization-Service-Providers-Transcript.pdf Transcript], [https://www.diglib.org/wp-content/uploads/sites/3/2017/11/Effective-Outsourcing-Webinar-compressed.pptx Slides]), features a panel of representatives from a/v digitization vendors who discuss types of services and common hurdles faced by institutions. [http://clir.adobeconnect.com/pkxnnaqe40i9/ Low-Cost, DIY, and Community-Based Approaches to Audiovisual Digitization] ([https://www.diglib.org/wp-content/uploads/sites/3/2017/11/Low-Cost-DIY-and-Community-Based-Approaches-to-Audiovisual-Digitization-Transcript.pdf Transcript], [https://www.diglib.org/wp-content/uploads/sites/3/2017/11/DIY-AV-Dig-Webinar.pdf Slides]), features a panel of speakers who discuss a variety of tools, strategies, and organizations that are focused on creating broader access to resources needed for audiovisual digitization projects, and will provide guidance on how best to implement in-house audiovisual digitization programs.
* The [http://www.arsc-audio.org/index.php Association for Recorded Sound Collections] (ARSC) released the [https://www.clir.org/pubs/reports/pub164/ ARSC Guide to Audio Preservation] in 2015 as a practical introduction to caring for and preserving audio collections. It is aimed at individuals and institutions that have recorded sound collections but lack the expertise in one or more areas to preserve them.
* In 2016, the [http://www.digitizationguidelines.gov/audio-visual/ Audio-Visual Working Group] of the [http://www.digitizationguidelines.gov/ Federal Agencies Digitization Guidelines Initiative's] released [http://www.digitizationguidelines.gov/guidelines/Motion_pic_film_scan.html Guidelines: Motion Picture Film Scanning Projects]. This report includes "an introductory essay, a set of tables that describe a range of film 'inputs' and digital 'outputs,' and concludes with a model statement of work for outsourced conversion of film to video." Film digitization standards are still in the early stages of development, but this report provides a solid understanding of current best practices.
* [http://www.dlib.indiana.edu/projects/sounddirections/facet/facet_formats.pdf Format Characteristics and Preservation Problems] (2007) "succinctly covers the format characteristics and preservation problems identified by [http://www.dlib.indiana.edu/projects/sounddirections/facet/ FACET (Field Audio Collection Evaluation Tool)] as contributing to instability, degradation, and/or increased risk, providing specific information to aid in ranking field collections using the FACET software application." FACET is an open-source application that "helps collection managers construct a prioritized list of audio collections by condition and risk, enabling informed selection for preservation." Even for institutions not using FACET, the publication is a good source of information (with several helpful visual aids) that can aid in the assessment of audio collections.
* [http://archive.library.nyu.edu/preservation/movingimage/vipirshome.html Visual & Playback Inspection Ratings System] (ViPIRS) is a "Microsoft Access database tool designed to assist in the survey and preservation planning of audiovisual collections as part of Developing Principles and Methodologies for Moving Image and Audio Preservation in Research Libraries. ViPIRS is designed with a wide range of users in mind: from audiovisual novices to experts; from small institutions to large." ViPIRS has been developed for magnetic media, which includes modules for videotape, audiocassettes, and 1/4" reel-to-reel.
* NEDCC | Northeast Document Conservation Center provides training on digitization of AV collections, including webinars and workshops. [https://www.nedcc.org]
'''Still Image'''
* The [http://www.digitizationguidelines.gov/ Federal Agencies Digitization Guidelines Initiative’s] (FADGI) [http://www.digitizationguidelines.gov/guidelines/digitize-technical.html Technical Guidelines for Digitizing Cultural Heritage Materials] focuses on defining practical methods and requirements for imaging projects.The FADGI Star System provides institutions with guidance in how to tailor a digitization effort based on a desired level of quality for the end product, from low-quality surrogates that provide only informational value to high quality image capturing.
== Outsourcing Audiovisual Digitization ==
* [https://www.avpreserve.com/ AVPreserve] has published two Request for Proposal (RFP) guides: [https://www.avpreserve.com/wp-content/uploads/2015/05/AVPS_Audio_Digitization_RFP_Guide.pdf Guide to Developing a Request for Proposal for the Digitization of Audio] and [http://www.avpreserve.com/wp-content/uploads/2013/10/AVPS_Digitization_RFP_Guide.pdf Guide to Developing a Request for Proposal for the Digitization of Video (and More)].
* [http://guides.nyu.edu/ld.php?content_id=24817650 Digitizing Video for Long-Term Preservation: An RFP Guide and Template] "is intended to take an institution step-by-step through the process of drafting a Request for Proposals (RFP) for the transfer of analog video formats to digital carriers for preservation. This template can be used by libraries, archives, and other cultural heritage institutions and submitted to qualified transfer vendors."
== Copyright and Intellectual Property ==
* [http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1495365 Copyright and Cultural Institutions: Guidelines for Digitization for U.S. Libraries, Archives, and Museums] by Peter Hirtle, Emily Hudson, and Andrew Kenyon (2009) provides comprehensive coverage of all major copyright issues relevant to digitization in cultural heritage institutions. This work is [http://saa.archivists.org/store/copyright-and-cultural-institutions-guidelines-for-digitization/1598/ also available in print from the Society of American Archivists].
* The [http://www.arl.org/ Association of Research Libraries], in particular its initiatives on [http://www.arl.org/focus-areas/research-collections/special-collections/2482-statements-principles-and-reports-of-arl-special-collections-working-groups#.VL82d0sn8RY Transforming Special Collections in the Digital Age] and on  [http://www.arl.org/focus-areas/copyright-ip#.VL81v0sn8RY Copyright and Intellectual Property], has published a variety of documents relevant to the digitization of special collections and archives, including a 2012 special issue of [http://publications.arl.org/rli279/1 Research Library Issues] that covers legal concerns related to digitizing rare and unique materials.
* [http://localcontexts.org/tk-labels/ Traditional Knowledge (TK) Labels] are a tool for Indigenous communities to add existing local protocols for access and use to recorded cultural heritage that is digitally circulating outside community contexts. They can be used to identify and clarify which material has community-specific restrictions regarding access and use.
'''Determining Copyright Status'''
* The [http://librarycopyright.net/resources/digitalslider/ ALA Copyright Slider] is a simple, user-friendly guide to determining copyright status of works.
* [https://copyright.cornell.edu/resources/publicdomain.cfm Copyright Term and the Public Domain in the United States] contains a helpful and very thorough chart for determining the copyright status of works created and/or published in the United States.
* [http://www.clir.org/pubs/abstract/reports/pub144 Copyright and Related Issues Relevant to Digital Preservation and Dissemination of Unpublished Pre-1972 Sound Recordings by Libraries and Archives] describes what libraries and archives can legally do to preserve and make accessible holdings of unpublished sound recordings.
* [http://rightsstatements.org/files/151002recommendations_for_standardized_international_rights_statements.pdf Recommendations for Standardized International Rights Statements] is a white paper summarizing the conclusions of a working group convened by the [http://dp.la/ Digital Public Library of America] and [http://www.europeana.eu/portal/ Europeana].
* [http://guides.nyu.edu/ld.php?content_id=24818036 Video at Risk: Strategies for Preserving Commercial Video Collections in Libraries] "seek[s] to clarify exemptions for copying audiovisual works under Section 108(c) of the United States Copyright Act and thereby enhance the ability of librarians to preserve their video collections."
'''Orphan Works'''
* The [http://www.cmsimpact.org/fair-use/best-practices/statement-best-practices-fair-use-orphan-works-libraries-archives Statement of Best Practices in Fair Use of Collections Containing Orphan Works for Libraries, Archives, and Other Memory Institutions] developed by the Center for Media & Social Impact at American University and the UC Berkeley School of Law, includes clear guiding principles for us in determining when to apply fair use in the digitization and online publication of orphan works. The statement was produced after talking with librarians and archivists around the country.
* In 2009, the [http://www2.archivists.org/ Society of American Archivists] issued [http://www2.archivists.org/sites/all/files/OrphanWorks-June2009.pdf Orphan Works: Statement of Best Practices] to guide decision-making in conducting research into the copyright status of unpublished collections. The document includes a variety of useful links and appendices.
== Provenance, Privacy, and Ethics ==
* The [http://www.atalm.org/ Association of Tribal Archives, Libraries, and Museums] maintains a [http://www.atalm.org/node/52 list of resources relevant to the care of cultural materials of indigenous peoples].
* The [http://www2.archivists.org/ Society of American Archivists] (SAA) has convened a [http://www2.archivists.org/groups/native-american-archives-roundtable/protocols-for-native-american-archival-materials-information-and-resources-page task force] to revise and strengthen the Protocols for Native American Archival Materials (PNAAM), based upon [http://www2.nau.edu/libnap-p/protocols.html a document produced in 2007]. The draft document contains [http://www2.nau.edu/libnap-p/resources.html a useful bibliography of general resources on archives and ethics].
* The SAA case study, [http://www2.archivists.org/sites/all/files/AmericanIndianMaterial_CEPC-CaseStudy3.pdf Identifying Culturally Sensitive American Indian Material in a Non-tribal Institution], provides one example of how an institution interpreted the [http://www2.nau.edu/libnap-p/protocols.html Protocols] and the [http://www2.archivists.org/statements/saa-core-values-statement-and-code-of-ethics SAA Code of Ethics].
* [https://archives2016.sched.org/event/7f8V/111-archives-and-digital-inequality Archives and Digital Inequality, annotated collaborative bibliography] is a collections of resources and readings by the ''Archives and Digital Inequality'' pop-up session at SAA 2016.
* The [http://www.mnh.si.edu Smithsonian National Museum of Natural History] has maintained a bibliography of online resources titled the [http://anthropology.si.edu/naa/home/culturally_sensitive.html Ethics of Exhibiting Culturally Sensitive Materials Online]. This bibliography was last updated in 2010.
* [http://www.ala.org/advocacy/privacyconfidentiality/toolkitsprivacy/privacy The ALA Privacy Toolkit]
== Funding Opportunities ==
This section includes a listing of organizations that provide support for projects involving digitization of archival materials for preservation and access. This list is not exhaustive and submissions are encouraged (send submissions to DigiWiki@clir.org).
* The [http://www.neh.gov/ National Endowment for the Humanities] (NEH) supports digitization and related activities through the [http://www.neh.gov/grants/preservation/humanities-collections-and-reference-resourcesHumanities Collections and Reference Resources] program, the [http://www.neh.gov/grants/preservation/national-digital-newspaper-program National Digital Newspaper Program], and the [http://www.neh.gov/grants/preservation/preservation-and-access-research-and-development Preservation and Access Research and Development] grants.
* The [http://www.archives.gov/nhprc/ National Historical Publications & Records Commission] (NHPRC) offers funding for digitization and related activities through the [http://www.archives.gov/nhprc/announcement/access.htmlAccess to Historical Records] program and the [http://www.archives.gov/nhprc/announcement/digital.html Digital Dissemination of Archival Collections] program.
* The [https://bavc.org/preserve-media/preservation-access-program Bay Area Video Coalition] (BAVC) will be offering a sliding scale discount of up to 70% for tape-to-file video preservation transfer services to individual artists and small to medium sized arts and cultural heritage organizations. U.S. based individual artists and visual, performing and cultural arts organizations, historical societies and regional archives with arts-related collections are invited to apply for discounted services through an application process.
* The [http://www.grammymuseum.org/programs/grants-program GRAMMY Museum Grant Program] awards grants to organizations and individuals to support efforts that advance the archiving and preservation of the music and recorded sound heritage of the Americas. The Archiving and Preservation area has two funding categories: Preservation Implementation ($20,000 max award) and Assistance, Assessment and/or Consultation ($5,000 max award).
* The [https://www.filmpreservation.org/nfpf-grants/overview National Film Preservation Foundation] offers several types of preservation grants supporting the creation of preservation and access copies of American orphan films of historic and cultural interest. [https://www.filmpreservation.org/nfpf-grants/basic-preservation-grants Basic Preservation Grants] are the best choice for most institutions. Offered twice yearly, these grants award cash and in some cases services donated by laboratories and post-production houses. The larger [https://www.filmpreservation.org/nfpf-grants/matching-grants Matching Grants] enable experienced preservationists to undertake more extensive projects. The [https://www.filmpreservation.org/nfpf-grants/avant-garde-masters-grants Avant-Garde Masters Grants], funded through the generous support of The Film Foundation, target the preservation of motion pictures significant to the development of the avant-garde in America.
== Education and Training Opportunities ==
* [https://www.diglib.org/strategies-audiovisual-digitization-projects/ Strategies for Audiovisual Digitization Projects] is a free two-part webinar series that discusses multiple approaches that cultural memory institutions can take to digitally reformat audiovisual materials and collections. '''Effective Outsourcing with Audiovisual Digitization Service Providers''' includes representatives from a variety of audiovisual digitization service providers who discuss types of available services and common hurdles faced by institutions. '''Low-Cost, DIY, and Community-Based Approaches to Audiovisual Digitization''' has speakers discuss a variety of tools, strategies, and organizations that are focused on creating broader access to resources needed for audiovisual digitization projects. Speakers also provide guidance on how best to implement your own audiovisual digitization program.
* [http://dp.la/ The Digital Public Library of America] (DPLA), working in partnership with trainers at the [https://www.digitalcommonwealth.org/ Digital Commonwealth], the [http://dlg.galileo.usg.edu/?Welcome Digital Library of Georgia], the [http://mndigital.org/ Minnesota Digital Library], the [http://montanamemory.org/ Montana Memory Project], and the [http://mwdl.org/ Mountain West Digital Library], have developed a workshop curriculum based on documented best practices for library digitization. A self-guided version of the curriculum intended for digitization beginners is available on the DPLA website through the [http://dp.la/info/about/projects/public-library-partnerships/ Public Library Partnerships Project].
* [http://www.lyrasis.org/Pages/Main.aspx Lyrasis] offers a variety of classes relevant to digitization and digital content management, such as ''Introduction to Audio Visual Digitization'', ''Introduction to Digital Project Management Planning'', and ''Digitization for Small Institutions''. The [https://www.lyrasis.org/Pages/Events.aspx classes and events schedule] contains up-to-date information about offerings.
* The [https://www.nedcc.org/preservation-training/training-currentlist Northeast Document Conservation Center] (NEDCC) offers a variety of programs, including several related to digital collections, digital preservation, and preservation of audiovisual collections.
* The [http://sustainableheritagenetwork.org/ Sustainable Heritage Network] offers a variety of [http://sustainableheritagenetwork.org/browse?keys=&tid%5B%5D=65&promote=All in-person and online tutorials] related to archival best practices, ethics, appraisal, processing, and digitization.
== Information from Digitization Service Providers ==
'''NOTE''': ''This section is provided for convenience and information only. The Digital Library Federation and the Council on Library and Information Resources do not recommend or endorse any specific digitization service provider, and the use or non-use of any particular provider has no bearing upon any applicant's consideration in the [https://www.clir.org/hiddencollections Digitizing Hidden Special Collections and Archives] or [https://www.clir.org/recordings-at-risk Recordings at Risk] competitions.''
[http://home.arcasearch.com/ ArcaSearch] is the leader in document preservation and search for historical, educational, corporate, and government archives. ArcaSearch's expertise is digitally preserving original materials, and then creating an easy to use searchable archive. ArcaSearch was awarded a patent in 2010 for its image capture process that produces high quality and fast search results. For a live demonstration, contact Chuck Miotke, ArcaSearch General Manager, at [mailto:chuck.miotke@arcasearch.com chuck.miotke@arcasearch.com] or at 989 430 3877.
[http://www.audiomechanics.com/ Audio Mechanics] provides detailed evaluation and high quality preservation transfers of archival audio formats including analog audiotapes, digital media, discs and cylinders as well as optical and magnetic film soundtracks. Clients trust our aesthetic sensibilities and proprietary techniques. For over 24 years Audio Mechanics has serviced the preservation needs of domestic and international public and private institutions and the major film studios. Audio Mechanics offers an exclusive, highly successful process for cleaning and transferring deteriorating magnetic film (shrunken/vinegar syndrome).
* Highly experienced staff of audio engineers specializing in transfer/preservation/restoration
* Extensive noise removal software tools (NoNoise, Cedar, Waves, IzotopeRX, Adobe Audition)
* Library inventory metadata prioritization analysis for preservation/migration/archival transfer
* Incubation dehydration preparation and or baking for sticky shed syndrome transfer
* Mold abatement and remediation of audio media
* High Resolution preservation transfers up to 24bit-192K available
* Physical and aural evaluation, JPEG documentation and detailed QC reports during and after capture
* Checksum and digital data integrity confirmation on all deliverable files
Custom analog audio source machines
Audio Mechanics analog transfer equipment utilizes custom or modified audio electronics matching or exceeding original manufacturers specs and audiophile analog-to-digital converters for best possible sound quality capture. Our tape machine transports have been modified to facilitate shrunken material to minimize potential mechanical issues and to improve sound quality and the safety of transferring deteriorating masters.
Location and contact information: 1200 West Magnolia Blvd., Burbank, California 91506 | (818)846-5525 | John Polito
[https://bavc.org/preserve-media Bay Area Video Coalition] is one of the nation’s longest-standing non-profit video and audio preservation organizations. BAVC remains a leader in the field, developing the highest quality preservation standards and practices while working with individuals and cultural, academic, and media organizations to meet a range of needs for preserving historically and artistically important video and audio materials. BAVC provides [https://bavc.org/preserve-media/services/assessment-and-planning Assessment & Planning] and [https://bavc.org/preserve-media/services/transfer-services Transfer services]. BAVC's [https://bavc.org/preserve-media/preservation-access-program Preservation Access Program] offers reduced rates on video and audio preservation services to artists and small- to mid-sized arts and cultural heritage organizations. Services include analog-to-digital preservation transfers at a discounted rate based on organizational budget size. NEA funding also supports BAVC’s efforts to advance audiovisual preservation practice and theory based on new and innovative developments in the field.
The deadline for the next round of PAP is forthcoming, and will likely be in the late summer of 2017! Questions can be answered by calling 415-558-2131 or by emailing preservation-at-bavc.org).
[https://bmiimaging.com BMI Imaging Systems, Inc.] enables libraries to transform microfilm records into a digital format that provides easy access and image enhancement capabilities never seen before. In addition to the archival TIFF used for inclusion to the State/National repositories, BMI provides a solution that allows patrons to scroll digital microfilm rolls from a computer and use full text search to find records, articles, and photos for interim access. Adjustable grayscale allows users to turn black and white images into real photos. For more information please contact Jake Walker at (800) 488-3456 ext 406 or jwalker@bmiimaging.com.
[https://cuttingcorporation.com The Cutting Corporation] is an Audio Preservation Lab that specializes in preserving obsolete analog audio recordings to high quality digital format.  Using both contemporary and vintage audio equipment mixed with years of knowledge and experience, we are able to offer exceptionally high quality analog to digital conversions for practically any type of audio media.  Whether you are a university archive with oral histories or an individual with family recordings, we can provide a customized digitization solution for your audio collection.
For additional information, please contact Aaron Coe at 301.654.2887.
[https://www.danskfilmdigitization.com/ DANSK Film Digitization], now partnered with PostWorks NY, is providing even more robust, comprehensive solutions to digitizing 16mm & 35mm film, as well as video tape. Clients include universities, government agencies, libraries, filmmakers, media companies and news agencies. Our innovative, high-precision Steenbeck Digitizing Table offers best quality, fast-turnaround, affordable results and the best treatment for films which may have deteriorated or shrunken.
We are also proud to offer a state-of-the-art, robust AI Restoration and Color Correction service which produces very impressive results more quickly and at less cost than traditional methods.
*Digitization of 16mm and 35mm film, including sep mag, optical track and all other audio-on-film formats
*Digitize 2K or 4K at up to 60fps
*Steenbeck Digitizing Table highly is tolerant of damaged perforations, fragile splices, warped, brittle and shrunken films
*A.I. Restoration & Color Correction Services – See some samples: [https://vimeo.com/user91936573]
*Expert in analysis and evaluation of archive condition providing best options for preservation and restoration
*Physical repair, splicing and cleaning using Lipsner-Smith Ultrasonic cleaner
*Video digitization from all formats
*Traffic department and climate-controlled vault for careful tracking and storage of your valuable assets
*An expert support team of engineers, programmers, colorists and other film and digital media specialists
*Steenbeck technology allows for the option of quick, simple set-up, on your site, if your archives cannot be moved.
Main offices are located at 110 Leroy Street, New York, NY 10014. Please contact us at 212-894-4000 (Main) or 212-886-5230 (Direct).
[http://www.databankimx.com DataBank] is a National Document & Information Management Company with over 23 years of experience in document conversion and automation. Their areas of expertise include the conversion of photos, archival documents and legacy microfilm or microfiche collections.  They offer seamless integration with repositories for storage and retrieval of scanned media.  For additional information contact Kathy Berger, Senior Solutions Consultant, at kberger@databankimx.com or at (603) 463-0154.
[http://digitalmediaservices.com/services/high-volume-digitization/ Digital Media Services] has an Archival Digitization program for the preservation and conversion of physical tape and film formats into the latest digital file formats. It has digital archive service centers on both U.S. coasts to minimize shipping costs and times for clients. For a free quote or questions concerning an upcoming project, please contact Keith Eland, Senior Account Executive, by phone at 646-975-6122, or by email at keland@digitalmediaservices.com.
[http://www.digitalrevolution.tv Digital Revolution] is a full service Multi Media facility located in the heart of San Francisco.  Founded by Paul Grippaldi in 2004, Digital Revolution is dedicated to helping clients create high quality digital media. From Legacy Media Digitizing : Preservation : Archiving : Video Creation : Post Production : Disc & USB Copying Services, Digital Revolution is the choice of Corporations, Educational Institutions, Non-Profits, Film Companies, Government Agencies and Individuals for their multi-media needs.  For additional information call Digital Revolution at 415-398-1200.
[http://www.immurerecords.com/ Immure Records] is a Minnesota-based company that provides video and audio media transfer and restoration services for a variety of formats. Address: 1740 130th Ave. NE Blaine, MN 55449 | Phone: (763) 862-5992 | Email: info@immurerecords.com
[http://www.idiimage.com/ Innovative Document Imaging (IDI)] maintains an 8,500 state-of-the-art digital conversion facility in East Brunswick, New Jersey and a 7,500 square facility in Shelton Connecticut. The Ct. site supplies the highest-quality microfilm-from-digital images utilizing electron-beam technology and microfilm mastering and duplication services for the world’s largest publishers.                                                 
Our company mission is to deliver the best service possible at reasonable cost for the digital conversion of paper documents, newspapers, maps, books, bound materials, microfilm, and microfiche. IDI balances price, quality, and speed in order to provide clients digital assets at the specifications and with the necessary tools to meet their requirements, where possible we can exceed their expectations. In addition to data conversion, IDI prides itself on its ability to go the extra step and fulfill metadata, data archiving, or enterprise content management needs as they arise.
Innovative Document Imaging’s name directly reflects its approach to serving its clients by focusing on “innovation.” IDI is more than a content conversion facility. It is also a re-seller of digital equipment and enterprise content management systems that has partner relationships with Canon, Konica-Minolta, Kirtas, and Kofax. IDI is also a developer of content management systems for use by libraries and private firms, including its E-File and DigiFind-It Cloud Portal solutions and it is an electronic archive backup system for various enterprises.
In all these endeavors, IDI seeks to present a suite of solutions for content imaging, data management and short and long term digital storage for its clients. Currently, IDI specializes in serving libraries, museums, historical societies and associations, publishers, and pharmaceutical companies.
IDI’s 7,500 square facility in Shelton Ct. supplies the highest-quality microfilm-from- digital images utilizing electron-beam technology and microfilm mastering and duplication services for the world’s largest publishers, museums and libraries.
* [http://idiimage.com/index.php/facility-tour-2017/ Facility tour]
* [http://www.idiimage.com http://www.idiimage.com]
* [http://www.dmmem.com http://www.dmmem.com]
* [http://www.ebeamimaging.com http://www.ebeamimaging.com]
* [http://www.digifind-it.com http://www.digifind-it.com]
The [http://www.archive.org Internet Archive] (IA) is one of the world’s largest public digital libraries, with an extensive collection of human culture. The goal is to provide free access to all knowledge in an accessible, digital format for researchers, historians, people with disabilities, and the general public. The Internet Archive also offers online access and discovery of digital content, including [http://archive.org/texts public domain eBooks] and a more selective collection of public domain and non-public domain texts available for lending at [https://openlibrary.org OpenLibrary.org].
IA offers non-destructive digitization with a range of analog and born-digital formats, including: printed materials that are bound and unbound (books, magazines, yearbooks, etc.), archival materials, photographs, microfilm, microfiche, film and video (8mm and 16mm). Services include photographic imaging, digital processing, preservation, and access to digital data. Items to be digitized can be sent to one of 33 regional digitization centers around the world, or portable equipment can be placed on-site within libraries and archives. Questions: DigitalLibraries@archive.org
For an overview of the Internet Archive workflow, please click [http://archive.org/details/ProcessDocument this link]; To reach one of the Internet Archive centers, view contact info at [http://archive.org/scanning this link]; and to purchase digitization equipment, follow [http://archive.org/scanning/tabletopscribe this link].
[http://www.lunaimaging.com/#welcome Luna Imaging, Inc.] offers digitization and software & hosting services for building and maintaining digital collections. Digitization services include: Preservation scanning; Access capture; Book capture services; and OCR, PDF, BookReader processing.
[http://www.lyrasis.org LYRASIS] can support special collections and archival digitization projects by providing:
* Digitization and Project Management Services – working through its [http://www.lyrasis.org/digitize/ Digitization Collaborative] LYRASIS can digitize a wide range of source materials including print/manuscript/microfilm/photographic materials/audio/video and film and manage the process for you.
* Staff Expertise – information on processes and standards for project planning
* Professional Development Opportunities – LYRASIS offers a wide range of classes and can provide specific digitization classes to suit local needs.
[http://www.massproductions.net/ Mass Productions] is an expert Audio, Video, and Film Preservation service with over 25 years of experience. Mass Productions specializes in digitizing large archives of obsolete media, and has an excellent reputation with Universities and Libraries.    They have preserved thousands of audio and video recordings of great historical value.
Archive Services include:
* NARA and Library of Congress archive standards compliance
* Free onsite consultation
* Free pickup and delivery of your media ( in Boston area )
* Highest Resolution Media Transfers and Reformatting
* Mold removal, Tape baking, and repairs
* Film color correction
* Information Technology Consultation
* Metadata collection and embedding
* Free access copy files for web sharing
* Raid data storage and backup during production
* Delivery on Hard Drive, FTP, or Cloud
Please contact Mass Productions at [mailto:info@massproductions.net info@massproductions.net] or call 617-501-1738.
[http://www.memnon.com Memnon Archiving Services] offers a range of services to digitize, restore, preserve and provide access to audio-visual and cultural archives. Our unique parallel workflow system is designed to ensure quality while allowing larger volumes of materials to be preserved. Memnon’s services are suitable for a wide range of archive owners – from cultural institutions, libraries, universities and record labels. Memnon has accrued over 15 years of experience working with audio-visual technology throughout in Europe, North America, Africa and the Middle East. Our workforce has evolved into a multi-disciplinary team of engineers, computer specialists, documentation and meta-data management experts and project managers. A Sony Company since 2015, Memnon has the flexibility to provide services in a way that best fits our clients’ needs. Our North American headquarters are located in Bloomington, Indiana.
* ''Outsourced Service'' - In four delivery centers around the world, we propose an easy and paramount solution for all your archiving needs, ensuring high efficiency and fast project completion.
* ''On-site Managed Service'' - Memnon in-a-box is our onsite managed service to provide digitization service in your facilities- planning, setup, ramp up, delivery, completion, removal. Memnon manages and operates the project in your facilities, with optional deployment of your staff and your equipment if requested. Leverage Memnon’s workflows, tools, operational procedures, equipment, staff and expertise, with no further investment for you.
* ''Hybrid Services'' - Depending on your specific requirements, Memnon can implement a mixed approach where part of the digitization process is done in-house while other parts are outsourced.
Specific Services:
* ''Audio Digitization'' - Memnon has a complete range of equipment for reading a wide range of sound formats. We make it our business to constantly acquire equipment of all kinds and have extensive experience of working with delicate and complex formats and innovative new techniques.
* ''Video Digitization'' - Memnon is committed to providing high quality cleaning and processing to enhance media quality while ensuring authenticity of the original content, fast transfer through latest automated preservation processes and excellent cost efficiency.
* ''Film Digitization'' - Film digitization is a sensitive and delicate task requiring a great deal of knowledge and know how. Our highly qualified team handles your material with care and puts all its skills to restore, clean, repack, synchronize sound, catalog and digitize your collections.
* ''Restoration and Treatment'' - Memnon ensures authenticity of the original content through latest, cost efficient and excellent preservation processes by high quality cleaning and treatment, a large panel of media quality enhancements and restoration of the recordings.
* ''QC & Delivery'' - Thanks to its 25-year history in the sector, the company delivers the highest quality in industrial processes and quality control methodologies trough industry and Memnon proprietary tools.
* ''Metadata Management, Content Indexation and Enrichment'' - We help to create, manage and consolidate from different source of metadata in the digitization and we can enrich your context based information with various automated processes.
* ''Project Management'' - To meet expectations precisely, we draw up detailed specifications with the clients representatives prior to the initiation of the project. Safeguarding of the collections fidelity and integrity is a must in any of our logistic and production processes. Specific procedures are in place to ensure a controlled and secured environment and all our employees are well aware of the cultural and historical value of materials and of the sensitivity to content’s nature.
* ''Workflow and Tools'' - Based on the unique expertise in handling large scale digitization and physical carrier handling, Memnon’s in-house R&D unit has develop proprietary workflow management platform and unique toolsets to advance, monitor and manage the entire workflow and carrier handling through the entire process.
* ''Cataloguing and Collections Planning'' - Memnon offers clients support and services for Cataloguing and Collections Planning process. This is often the very first setup to assess what exists in the archives, and to prepare and sort the collections for an accurate quote and shipment planning.
[https://www.nedcc.org NEDCC | Northeast Document Conservation Center] is an independent conservation laboratory specializing in the conservation and preservation of paper-based collections. NEDCC provides professional conservation treatment for books, maps, photographs, documents, parchment, papyrus, manuscripts, architectural plans, and works of art on paper. NEDCC’s Imaging Services department provides digital imaging services and specializes in rare, historic, and oversize materials, as well as X-Ray Film scanning and reformatting for black and white and color negative films and color transparencies. The Center now offers digitization of audio media using traditional and optical-scanning technologies (IRENE) and specializes in unique, damaged, or at-risk recordings on wax cylinder, lacquer disc, and magnetic and digital audiotape.
[http://northeasterndigital.com/ Northeastern Digital] is a full service digital mastering facility, specializing in the digitization of analog tape.  With 35 years of expertise, we have transferred and restored hundreds of legacy music recordings for major artists and labels (David Bowie, Arlo Guthrie, Bob Marley, Alison Krauss, Biograph Records, Rounder Records).  Our approach is this: every music recording is unique and requires special attention and custom equipment to optimize the transfer and yield the best results. All tape formats are accepted and all digital target formats are available. If your materials are in the general DC area, we can pick them up, so that you avoid any risk of loss or damage from shipping.
[http://www.normicro.com Northern Micrographics] has over 60 years of experience partnering with clients in library, academic, commercial and industrial markets to provide superior preservation imaging products and services.  They scan a variety of object types including bound and disbound volumes, photos, maps, microfilm and microfiche. Northern Micrographics can also help place digital collections online with custom software products, ProSeek® and PhotoAtlasTM. They also offer a variety of other services including microfilming, microfilm duplication, metadata development, data conversions, hosting and bookbinding.  Contact Northern Micrographics at 800-236-0850 or at sales@nmt.com to learn more.
[http://www.nestorsalomon.com/ SALOMON MASTERING & RESTORATION] is an audio studio/laboratory, located in San Juan, Puerto Rico. Dedicated to mastering, conservation and restoration of collections of sound documents, recorded in different media and old formats, for organizations and archival institutions. The audio engineer Néstor Salomón also provides consulting services for archival organizations and record labels. Website: [http://www.nestorsalomon.com/ www.nestorsalomon.com] - Tel / Whatsapp: +1 787 949-9065 - Email: nestorsalomon_ar@hotmail.com
[http://www.twocatdigital.com Two Cat Digital] has been providing world-class digital imaging and consulting services since 2003 with a particular emphasis on cultural heritage institutions and materials. Their passion is in designing and managing efficient digitization workflows, and for helping clients bring their valuable collections to light. Two Cat clients include hundreds of institutions including museums, libraries, universities, government agencies, architects, photographers and non-profit organizations. For additional information contact Two Cat at info@twocatdigital.com.
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