NDSA:Meeting Minutes 3/5/14 - Revision history

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2016-02-11T19:20:42Z

5 revisions imported: Migrate NDSA content from Library of Congress

← Older revision		Revision as of 15:20, 11 February 2016
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2014-04-01T21:28:17Z

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	ATTENDEES (31)		ATTENDEES (31)

	Abbie Grotke		*Abbie Grotke
	Carolyn Caizzi		*Carolyn Caizzi
	Erik Rau		*Erik Rau
	Karen Cariani		*Karen Cariani
	Kat Bell		*Kat Bell
	Linda Tadic (and her moving image class at UCLA)		*Linda Tadic (and her moving image class at UCLA)
	Lisa Thompson		*Lisa Thompson
	Lori Donovan		*Lori Donovan
	Midge Coates		*Midge Coates
	Nick (?)		*Nick (?)
	Rhonda (?)		*Rhonda (?)
	Vickie Allen		*Vickie Allen
	Erin Engle		*Erin Engle
	Rebecca Johnson Melvin		*Rebecca Johnson Melvin
	John Spencer		*John Spencer
	Ed McCain		*Ed McCain
	Lisa Thompson		*Lisa Thompson
	Michael Stoller		*Michael Stoller
	Jimi Jones		*Jimi Jones
	Rachel Howard		*Rachel Howard
	Butch Lazorchak		*Butch Lazorchak
	Steven Davis		*Steven Davis
	Nancy Hoebelheinrich		*Nancy Hoebelheinrich
	Paula De Stefano		*Paula De Stefano
	Amy Kirchoff		*Amy Kirchoff
	Casey E. Davies		*Casey E. Davies
	Jon Ippolito		*Jon Ippolito
	Deborah Rossum		*Deborah Rossum
	Jesse (?)		*Jesse (?)
	John (?)		*John (?)
	Felicity Dykas		*Felicity Dykas

	This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers:		This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers:

Abgr at 21:27, 1 April 2014

2014-04-01T21:27:31Z

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	CWG March 5, 2014		CWG March 5, 2014

			ATTENDEES (31)

			Abbie Grotke
			Carolyn Caizzi
			Erik Rau
			Karen Cariani
			Kat Bell
			Linda Tadic (and her moving image class at UCLA)
			Lisa Thompson
			Lori Donovan
			Midge Coates
			Nick (?)
			Rhonda (?)
			Vickie Allen
			Erin Engle
			Rebecca Johnson Melvin
			John Spencer
			Ed McCain
			Lisa Thompson
			Michael Stoller
			Jimi Jones
			Rachel Howard
			Butch Lazorchak
			Steven Davis
			Nancy Hoebelheinrich
			Paula De Stefano
			Amy Kirchoff
			Casey E. Davies
			Jon Ippolito
			Deborah Rossum
			Jesse (?)
			John (?)
			Felicity Dykas

	This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers:		This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers:

Abgr at 18:27, 31 March 2014

2014-03-31T18:27:30Z

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	This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers.		This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers:
	*John Spencer, BMS/Chase -- notes ~~here~~		*John Spencer, BMS/Chase -- notes: [[NDSA:Spencer2015_AV_notes_for_Natl_AgendaFINAL.pdf‎]]
	*Karen Cariani, WGBH -- slides (to come)		*Karen Cariani, WGBH -- slides (to come)
	*Linda Tadic, Audiovisual Archive Network -- slides		*Linda Tadic, Audiovisual Archive Network -- slides: [[NDSA:Tadic_AVAN_NDSA_CWG_20140305.pdf‎]]
	*Kat Bell, Dance Heritage Coalition -- slides: [[NDSA:Bell_DHC_DPDP_NDSA_CWG_Moving_Image.pdf‎]]		*Kat Bell, Dance Heritage Coalition -- slides: [[NDSA:Bell_DHC_DPDP_NDSA_CWG_Moving_Image.pdf‎]]


			'''Discussion after each presentation raised a few questions:'''


	Karen Cariani's presentation:		Karen Cariani's presentation:

	John asked:		John asked: Have you looked at LTFS 5 or 6?
	Have you looked at LTFS 5 or 6?

	~~Karen said:~~
	~~They're looking at LTF6 - Jumped 5, because with 5 the tape was thin and had issues~~

	~~Edward McCain asked:~~
	~~Documentary Journalism program - want to get resources for preservation of end product/production. Wondering about split between access/preservation systems~~?

	Karen said:		Karen said: They're looking at LTF6 - Jumped 5, because with 5 the tape was thin and had issues
	~~2 repositories~~ - ~~one for preservation one for access. Focusing on Access on~~ the ~~website - if someone wants to use preservation level file, they need to come in~~ and ~~use the files at a workstation~~

	~~Network too slow~~ to ~~deal with such large files in realtime~~		Edward McCain asked: Documentary Journalism program - want to get resources for preservation of end product/production. Wondering about split between access/preservation systems?

	~~Linda's presentation~~: ~~No questions~~		Karen said: 2 repositories - one for preservation one for access. Focusing on Access on the website - if someone wants to use preservation level file, they need to come in and use the files at a workstation. Network too slow to deal with such large files in realtime.

	Kat's presentation:		Kat's presentation:

	Jon Ippolito asked:		Jon Ippolito asked: You've been digitizing recordings stills/video from performances - How are you dealing with non-recording preservation, dance notation, etc?
	You've been digitizing recordings stills/video from performances - How are you dealing with non-recording preservation, dance notation, etc?

	Kat said:		Kat said: Separate grant for dance notation - not a "literate" field - no standard notation. Mellon did inventories and learned that choreographers are creating "director's cuts" with narration. Motion capture technologies out of Ohio State would be great, but very expensive.
	Separate grant for dance notation - not a "literate" field - no standard notation. Mellon did inventories and learned that choreographers are creating "director's cuts" with narration. Motion capture technologies out of Ohio State would be great, but very expensive.

	Performance art differs from more traditional fields - how to document the work and preserve content/context		Performance art differs from more traditional fields - how to document the work and preserve content/context

	~~On Mar 5, 2014, at 9:56 AM, Grotke, Abigail wrote:~~

	> Reminder about today's CWG meeting, which will run 11am ET - 12:30. Is anyone able to take minutes today during the questions and answers? I am leading this solo as Cathy had something come up. Would appreciate the assistance.

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	This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers.		This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers.
	* John Spencer, BMS/Chase -- notes here		*John Spencer, BMS/Chase -- notes here
	* Karen Cariani, WGBH -- slides (to come)		*Karen Cariani, WGBH -- slides (to come)
	* Linda Tadic, Audiovisual Archive Network -- slides		*Linda Tadic, Audiovisual Archive Network -- slides
	* Kat Bell, Dance Heritage Coalition -- slides		*Kat Bell, Dance Heritage Coalition -- slides: [[NDSA:Bell_DHC_DPDP_NDSA_CWG_Moving_Image.pdf‎]]

Abgr: Created page with 'CWG March 5, 2014 This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers. …'

2014-03-31T18:12:53Z

Created page with 'CWG March 5, 2014 This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers. …'

New page

CWG March 5, 2014

This was the third session on the NDSA National Agenda Content areas. This time we are focusing on Moving Image and Recorded Sound. We had four speakers.
* John Spencer, BMS/Chase -- notes here
* Karen Cariani, WGBH -- slides (to come)
* Linda Tadic, Audiovisual Archive Network -- slides
* Kat Bell, Dance Heritage Coalition -- slides

Karen Cariani's presentation:

John asked:
Have you looked at LTFS 5 or 6?

Karen said:
They're looking at LTF6 - Jumped 5, because with 5 the tape was thin and had issues

Edward McCain asked:
Documentary Journalism program - want to get resources for preservation of end product/production. Wondering about split between access/preservation systems?

Karen said:
2 repositories - one for preservation one for access. Focusing on Access on the website - if someone wants to use preservation level file, they need to come in and use the files at a workstation

Network too slow to deal with such large files in realtime

Linda's presentation: No questions

Kat's presentation:

Jon Ippolito asked:
You've been digitizing recordings stills/video from performances - How are you dealing with non-recording preservation, dance notation, etc?

Kat said:
Separate grant for dance notation - not a "literate" field - no standard notation. Mellon did inventories and learned that choreographers are creating "director's cuts" with narration. Motion capture technologies out of Ohio State would be great, but very expensive.

Performance art differs from more traditional fields - how to document the work and preserve content/context

On Mar 5, 2014, at 9:56 AM, Grotke, Abigail wrote:

> Reminder about today's CWG meeting, which will run 11am ET - 12:30. Is anyone able to take minutes today during the questions and answers? I am leading this solo as Cathy had something come up. Would appreciate the assistance.